October 24-November 25, 2018
It has been three years since “Gogol’s House” presented to the general public a thematic exhibition Lion Dyakonitsyn “Reprise”, dedicated to the circus. At numerous requests Admirers of the artist’s creativity 2018 was marked by a new exhibition of the Master.
Exhibition name “Story lines”-exactly and exactly about the works of Dyakonitsyn. Yes Indeed, his painting is such that every line and every volume, The prisoner is always the bearers of the plot, dramaturgergic Conception, philosophical and worldly sense.
His work is always about relationships, and relationships, — people, objects, mediums
Because the visitor Exhibition will see exactly so many content plots, how many paintings Presented, and in the exposition of them more than sixty. Exhibition “Storylines” will offer visitors a large number and the most Of the small pieces by the size of Lev Dyaconitsyn. Free From the burden of responsibility for the “wide format”, the artist easily And it is fun to write “miniature”, and they are composed in genre Energetic Kaleidoscope, in which the narrative, dramaturgically, The staged genius of Dyaconitsyn. We draw the attention of exhibition visitors On the dating of works, a large number of works are created In the years 2000 – 2018. The artist continues to work fruitfully And now, in its 87 years.
Lev Fedorov Dyakonitsyn-artist, Art critic, critic, historian, philosopher
Born May 21, 1931 Years in Vologda, lives and works in Moscow. Founder Creative Association “Ostozh”. Candidate of Historical Sciences, associate professor, academician Russian Academy of Sciences and Arts, academician of the International Academy of Sciences and Arts Of Paris, the Knight of the Order “for service to the Fatherland” of the third degree. Author Many books and articles on art. The most famous And to this day remains the work “ideological contradictions in aesthetics Russian painting of the late XIX-early XX centuries “. Published In 1966, it became a desktop training manual, a rotary And the starting point for the entire art community in the Difficult historical period for the stated theme. Since 1972, Leo Dyakonitsyn-member of the Union of Artists, since 1976-claimed Participant of art exhibitions in Russia and abroad (in 2018, their number is approaching the three-year-old). Works The artist entered public and private meetings of different countries World, including the collection of famous Slavista and collector Russian art by Rene Guerra. The name of Lev Dyakonitsyn is included in the reference books “Famous Russians” and “who is who in the 20th century”.
What is a story Line? This is the finished part of the story, the main one, or a multi-component. Surprisingly, the works of Dyaconitsyn even in the image of the Still Life (Fr. Nature morte — “dead nature”) always carry the totality of actions, Events, semantic and emotional links between the objects of the image Are obvious, compositions of such works are always active, always in dynamics Development. Plot lines, built in powerful, concise “sculptural” Consonance, ascend to the chord of deep, holistic perception. Every The work of Dyaconitsyn is very interesting to consider. First, at first glance, Enjoy the “golden section” of Composition, Harmony, Combinations of shapes and color solutions. Then you are drawn In dramaturgy, the mental eye inevitably develop it. Why is that Always happens to his works? The answer is literally In the “depiction of relationships” depicted:
The plane of the canvas seems to defy me. And I use all the means of “impact” on the canvas: From a ruffled brush, a knife, to fingers and rags. Everything goes In turn, and there is little to win the audience. The most plastic, Not distracting on the trivia of the plot. This purity of plastics I find In still life, in my theater of things. My tables are stage The site of objects related to kinship, friendship or conflict
L. F. Dikonitsyn)
Here is an excerpt From the autobiography of Lev Dyaconitsyn:
“I am from the generation of” Sixties “, whose childhood has passed In the war-spots, youth-in political “frosts” and “Thaw”-after Stalin. I was born in 1931 In Vologda. Raised father and street, but more- Books. The boy worked on redrawing of old photos, Windows TASS, Posters. The love of art awakened the older brother, gifted In music, painting, technology. I was hard to survive his death At the front and always remember his parting.
After school I tried to enroll in the Moscow Institute of Cinematography, But they did not believe that the pictures brought were mine. I long Was looking for himself, graduated from two institutes and two postgraduate studies-on the history And art studies, worked as a historian, art critic, philosopher, so far, Finally, since 1976 has not turned to painting. She became My main choice of life. My fame critic and art critic For some time prevented others from seeing an artist in me.
I love the color and energy of writing, the power of great form, so I’m close Russian and French avant-garde of the early 20th century and, of course, our Great icon painting.
Starting with a full-scale letter, with landscapes and still lifes, I was soon in kind and almost entirely moved to painting “Speculative”, but with the effect of “presence” in this composed Reality.
So and good painting that it can embody the problems of being Sense of space and time through the eyes and hand, the choice of the Means of expression, all the tools of the artist. “
